Ola Gjeilo: Ubi Caritas. Ola Gjeilo was born in , in Sandvika, Norway. From an early age he was exposed to a range of different genres of. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. UBI CARITAS. SATB Chorus a cappella. Music by. Ola Gjeilo celebrating years of timeless choral music. OM WALTON. WALTON. MUSIC walton
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We get caught up in these things and distracted from the core question — what is it that I really love? Differently, the alto and tenor provide the concluding delayed resolution, with them eventually landing on the third and dominant of the F minor chord. The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key. The text that is at the centre of the work can be seen below:.
Image Source Recommended Recording: It made me happier. The Best of Brass Alexander Arutunian: His use of improvisation, jazz and classical conventions amalgamate to create some truly stunning pieces of music. A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text.
Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice!
The text that is at gjeioo centre of the work can be seen below: Blogs Choral Ola Gjeilo: Your email address will not be published. His keen ear enabled him to be experimental in his compositional style from a young age. What are others expecting from me? Similar to the opening section, the soprano voice carries the initial melodic line. It is so important in music. Timeamus, et amemus Deum vivum. Is it too pretty?
Gjeilo began playing piano, and gravitated towards jazz improvisation. Is my music modern enough? However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious.
Ubi Caritas with Piano Improvisation | Ola Gjeilo
In the last carritas bars, the bass and soprano land on the tonic and dominant of F minor. Musical Individualism Joan Tower: Leave a Reply Cancel reply.
When Tower was nine, her family moved to Bolivia, which she describes as an integral part of Read more…. So, this is the principle I work with now. I started to write more music that reflected what I listen to.
Gjeilo creates a more jubilant atmosphere here, which can be heard through luscious harmony, accelerating tempos, and ever-expressive dynamics. Whilst the alto voice sustains an F tonicthe tenor and bass voices descend in step-wise motion, carifas the soprano voices ascending in the same manner. After deciding that a career as a composer Read more…. Congregavit nos in unum Christi amor. Gjeilo mainly learned music by ear, but did learn how to read music from age 7.
What’s on your mind? Roll Up Roll Up!
The text, which is related to the Eucharist, is widely known as the antiphon for carita first communion, and the washing of the feet from the Mass for Maundy Thursday. What does my teacher want me to do?
Is it too cerebral? The middle section begins following a neat modulation to A major. This should be the benchmark of all that we composers are looking for. I felt a lot less creative doubt, and I just began to enjoy composing in a new way. Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence. The opening chant is then presented again, but this time with all SATB in unison.
Exultemus, et in ipso iucundemur. Et ex corde diligamus nos sincero. From an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and classical choral gjeolo.